The Redcliffe Edit
London & Manchester, England
Vincent Vee is a British artist whose work collides two worlds that rarely meet on the same canvas — the high-voltage energy of Pop and Street Art, and the quiet, gold-lit reverence of Eastern religious iconography. The result is unmistakable: bold icon portraits and large-format figures that feel at once thoroughly modern and strangely sacred.
His instinct for the sacred runs deep. Vincent's creative lineage is rooted in the cultural landscape of southeast Poland, and his earliest fascination was with the painted wooden churches and icons of Eastern Europe — a spiritual heartbeat that still pulses beneath even his most contemporary pieces. He trained at the Academy of Fine Arts in Warsaw and at the Camerimage Film School, and that grounding in painting, sculpture and cinematography gives his canvases their cinematic sense of light and narrative.
Today he is best known for his large-format portraits of cultural icons — David Bowie, Prince, George Michael, Madonna, Kate Moss and King Charles III among them — built from a signature blend of laser printing, acrylic, spray paint, typography, gold leaf and his own photography. Working between London and Manchester, Vincent's pieces are held in private collections across the UK, USA, Canada, Australia, Switzerland and the Netherlands. He holds a permanent residency at the Granduke in Madrid's Salamanca district, is represented in Milan by Pisacane Arte, and his work has been featured by ELLE Gourmet and HOLA!
For all the grit and glamour on the surface, Vincent describes his real subject as something quieter: the soul behind the icon. Look past the colour and the gold, he says, and every portrait is asking the same two questions.
“The holiness, the unholiness, the sin, another universe, the soul. In my paintings, I ask myself: who are you? Who am I?”Vincent Vee
A selection of Vincent's Pop Icon portraits and Signature Original paintings — the bold colour, intricate detail and gold-leaf surfaces we print for him.
Vincent's work makes a particular set of demands on a paper. The colour has to stay saturated and true; the intricate detail has to hold at large scale; and the metallic and gold-leaf passages have to keep their shimmer rather than flatten into a dull patch. The right surface has to do all of that at once.
Over more than six years of printing together, we've settled on two surfaces for his editions: Permajet Fine Art Titanium Lustre for the prints, where the metallic base lifts the gold and the colour, and Canson Infinity Museum Pro Canvas for reproductions that carry the scale and texture of the originals.
Metallic lustre fine-art stock · Group B
100% cotton lustre canvas · Group A
“For me, a print is more than just a copy; it’s an extension of the original work. Redcliffe Imaging understands this perfectly — their exceptional Giclée quality captures the true essence of my originals, and they've been my trusted partner in that international growth for over six years.”Vincent Vee
If you're an artist or photographer who wants prints that carry the true essence of your originals, we'd love to help. Start with a sample, or get in touch and let's talk about your work.