Maria Luisa Azzini beside her London nightscape painting in her studio
Artist Showcase

Maria Luisa Azzini

The Futuristic Parallel World · London

The Work

A parallel universe, painted by hand.

Thomas Chard meeting Maria Luisa Azzini in London
Meeting Maria Luisa in London.

Maria Luisa Azzini is a Florence-born, London-based painter who has spent more than two decades building what she calls The Futuristic Parallel World — a saturated, joyful universe of imagined cities populated by hidden messages, signature blue UFOs, tiny televisions with legs, and small wry details waiting for the viewer who looks twice.

The series got its name not from her, but from a customer. After painting cities for a year or two at Greenwich Market, someone said: “this is like a futuristic world you’re creating.” And she said yes. The work isn’t a stylistic choice; it’s how she has always seen things.

Her cities are real places dreamt differently: London with its skyline rebuilt in pop-art colour, Paris reimagined in sunset oranges, New York after dark with the lights left on. Self-taught, she sold her first pieces at Greenwich Market in 2002, where she has shown her originals and prints almost every Sunday since — and some clients have been collecting her since the beginning, twenty years on.

“I always believed in parallel worlds. Since I was six or seven, I used to write stories about parallel realities. I always believed there was something extraordinary.”

As a long-standing Redcliffe client, I trust them with my work. The quality is outstanding — and that’s what matters when you’re representing your work to galleries and customers.

Maria Luisa Azzini · on working with Redcliffe

Working with Redcliffe

The right paper for vibrant work.

Maria Luisa needs a paper that can hold the saturation of her acrylic originals without flattening them — somewhere bold colour can sing on the page, but with the matt warmth of a true fine art surface.

Her chosen paper is Redcliffe Watercolour: our own house-brand 210gsm matt-textured stock, made by the fourdrinier process from acid- and lignin-free alpha cellulose. An archival-quality professional fine art inkjet paper, but at a price that lets a long-running practice stay sustainable. Maria Luisa has been printing with us for years, and her Sunday market customers go home with prints that look as alive as the originals on the easel.

Maria Luisa’s chosen paper

Redcliffe Watercolour

Our house brand fine-art paper · Group C

  • 210gsm
  • Matt texturedfinish
  • Alpha cellulosestock
  • Fourdrinierprocess

Hand-finished in our Bristol studio since 1982. Employee-owned. Hahnemühle & Canson Certified Print Studio.

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