Bryn Ditheridge in silhouette beside two moored sailing boats at sunrise on the Norfolk coast, working with a tripod
Artist Showcase

Bryn Ditheridge

Wildlife & Landscape · Norfolk

The Work

One county, photographed in full.

Bryn Ditheridge with his dog in a Norfolk bluebell wood, telephoto lens in hand
Bryn with his constant studio companion.

Bryn Ditheridge is a Norfolk-based wildlife and landscape photographer who has spent the past decade pointing his camera at one corner of England — the heaths, salt marshes, beach huts, woodlands and cliff edges of his home county — and showing the rest of the world what he finds there.

He has been photographing seriously since 2016, working across the breadth that Norfolk allows. Sunrise over Roydon Common when the heather is in bloom; the salt marshes near Wells before the tide turns; barn owls hunting at the edge of the day; and on a remarkable May night in 2024, the Northern Lights themselves, drifting in green and violet curtains over the cliffs at Hunstanton. Wildlife rewards patience. Landscape rewards being out before everyone else. Aurora photography rewards staying up. Bryn does all three.

In recent years his work has gathered a substantial following on Facebook, Instagram, YouTube and TikTok — an audience that now extends well beyond Norfolk and well beyond the UK. The same images, in print, are what he sells to collectors who want a piece of those quieter places on their wall — and the response, he tells us, often comes back the same way: that the prints look even more beautiful in person than the screen had promised.

Spreading the joy and positivity of Norfolk, all around the globe.

I trust Redcliffe with all of my fine art printing needs. I always know the quality is extremely high, and I always feel confident passing these prints on to my customers.

Bryn Ditheridge · on working with Redcliffe

Working with Redcliffe

The right paper for fine detail and colour.

Bryn’s work makes a particular set of demands on a paper. Wildlife close-ups need to hold the texture of feathers and fur; a landscape needs the gradient of a sunrise sky to read smoothly without banding; aurora photography needs colour to glow across the sheet without going artificial. The right paper has to do all three at once.

His chosen paper is Hahnemühle Fine Art Pearl — a 285gsm pearl-coated stock from the German mill with more than 425 years of papermaking behind it. The pearl finish gives a subtle sheen that lifts colour without crossing into glossy: the saturated end of an aurora reads cleanly, the dawn skies stay luminous, and the fine detail in feathers and heather holds its bite at any size up to A1.

Bryn’s chosen paper

Hahnemühle Fine Art Pearl

Pearl-coated archival stock · Group A

  • 285gsm
  • Pearl coatedfinish
  • Bright whitetone
  • HahnemühleGermany

Hand-finished in our Bristol studio since 1982. Employee-owned. Hahnemühle & Canson Certified Print Studio.

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